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The site's consensus is: "Audiences will need to tolerate a certain amount of narrative drift, but thanks to sensitive direction from Noah Baumbach and an endearing performance from Greta Gerwig, Frances Ha makes it easy to forgive." Stephanie Zacharek of The Village Voice praises Gerwig's performance, writing, "It's a relief that Frances Ha isn't as assertively frank, in the 'Look, ma, no shame! Frances is a little dizzy and frequently maddening, but Gerwig is precise in delineating the character's loopiness: Her lines always hit just behind the beat, like a jazz drummer who pretends to flub yet knows exactly what's up." Peter Debruge, reviewing for Variety, described Frances Ha, "This modest monochromatic lark doesn't present a story—or even a traditional sequence of scenes—so much as it offers spirited glimpses into the never-predictable life of Frances, a 27-year-old dancer." He said Frances was "a character whose unexceptional concerns and everyday foibles prove as compelling as any New York-set concept picture, delivering an affectionate, stylishly black-and-white portrait of a still-unfledged Gotham gal".
Linda Holmes, writing for National Public Radio, said, "I have limited patience for the attitude that people talking about nothing is cool and subversive, or that obnoxious people are enthralling, or that people from New York are more interesting than other people." Holmes found the film agreeable: "What helped Frances grow on me as both a character and a movie was Gerwig's vexing—and yes, sometimes intentionally irritating—performance as a young woman who's so frenetically trying to fit in that she can't, who's so desperately trying to grab onto something that she slips off every time." She concluded, "The film is funny and likable, despite the trappings of self-conscious New York navel-gazing." The Los Angeles Times highlighted Gerwig's foray as part of a trend of female actors becoming writers or co-writers; other examples include Zoe Kazan with Ruby Sparks and Rashida Jones with Celeste and Jesse Forever.
Gerwig said she did not anticipate starring in Frances Ha, but Baumbach thought she suited the part.The filmmakers included a number of pop songs in the film, including "Every 1's a Winner" by Hot Chocolate; "Blue Sway" by Paul Mc Cartney; "Chrome Sitar" by T. The soundtrack includes a song by Felix Laband, and references multiple French films: it contains music by Georges Delerue, Jean Constantin and Antoine Duhamel, originally written for films of the French New Wave.